Gustav Klimt
Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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Gustav Klimt bjorkskog oil painting


bjorkskog
omkring 1902, dresden, staatliche kunstsammlungen, gemaldegalerie neue meister, 100x100cm se
Painting ID::  65244
Gustav Klimt
bjorkskog
omkring 1902, dresden, staatliche kunstsammlungen, gemaldegalerie neue meister, 100x100cm se
   
   
     

Gustav Klimt bondgard med bjorkar oil painting


bondgard med bjorkar
1900, wien, osterreichische galerie 80x80cm se
Painting ID::  65245
Gustav Klimt
bondgard med bjorkar
1900, wien, osterreichische galerie 80x80cm se
   
   
     

Gustav Klimt beethovenfrisen oil painting


beethovenfrisen
de fientliga makterna 1902, wien osterreichische galerie se
Painting ID::  65258
Gustav Klimt
beethovenfrisen
de fientliga makterna 1902, wien osterreichische galerie se
   
   
     

Gustav Klimt beethovenfrisen oil painting


beethovenfrisen
langtan efter lycka 1902 wien osterreichische galerie se
Painting ID::  65259
Gustav Klimt
beethovenfrisen
langtan efter lycka 1902 wien osterreichische galerie se
   
   
     

Gustav Klimt beethovenfrisen oil painting


beethovenfrisen
langtan efter lycka lycka finner ro i poesin 1902, wien osterreichische galerie se
Painting ID::  65260
Gustav Klimt
beethovenfrisen
langtan efter lycka lycka finner ro i poesin 1902, wien osterreichische galerie se
   
   
     

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     Gustav Klimt
     Austrian Art Nouveau Painter, 1862-1918 Gustav Klimt (July 14, 1862 ?C February 6, 1918) was an Austrian Symbolist painter and one of the most prominent members of the Vienna Art Nouveau (Vienna Secession) movement. His major works include paintings, murals, sketches, and other art objects, many of which are on display in the Vienna Secession gallery. Klimt's primary subject was the female body, and his works are marked by a frank eroticism--nowhere is this more apparent than in his numerous drawings in pencil. Klimt's work is distinguished by the elegant gold or coloured decoration, often of a phallic shape that conceals the more erotic positions of the drawings upon which many of his paintings are based. This can be seen in Judith I (1901), and in The Kiss (1907?C1908), and especially in Danaë (1907). One of the most common themes Klimt utilized was that of the dominant woman, the femme fatale. Art historians note an eclectic range of influences contributing to Klimt's distinct style, including Egyptian, Minoan, Classical Greek, and Byzantine inspirations. Klimt was also inspired by the engravings of Albrecht D??rer, late medieval European painting, and Japanese Rimpa school. His mature works are characterized by a rejection of earlier naturalistic styles, and make use of symbols or symbolic elements to convey psychological ideas and emphasize the "freedom" of art from traditional culture.

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